Flamenco guitar playing is probably one of the coolest ways to play the guitar on account of its unique sound and tonality. There really is no other genre that sounds quite like the flamenco style.
In this article, we’re going to explore what are some of the most common guitar scales in flamenco guitar playing.
The most commonly used guitar scales used by flamenco players are the Phyrgian Dominant, the Phyrgian Mode, and the Harmonic Minor Scale.
These may sound confusing, but they’re really not.
The Phyrgian mode is the scale constructed from the third degree of the Major Scale, and then the Phyrgian Dominant scale is constructed from the fifth degree of the Harmonic Scale.
Similar to the Major Scale, the Harmonic Minor Scale is the foundation for a ton of other scales, which often go by many different names.
For instance, it’s not uncommon for people to refer to the Phyrgian Dominant scale as the “Spanish Gypsy Scale,” even though it’s used in a ton of other genres other than “Spanish” music, like metal.
Without further ado, let’s break down what these scales look like and how they’re created.
Most Commonly Used Scales Among Flamenco Guitarists
1) Harmonic Minor Scale
The Harmonic Scale is an important scale in music theory because of what I mentioned above: it’s the foundation for a ton of other scales and harmonies.
Essentially, it’s just a Natural Minor Scale with a raised 7th degree, which is the part of the scale that gives it its characteristic sound.
The Minor Second interval between the 6th and 7th note is the part of the scale that gives it its flavor. It’s all about the minor second.
In case you don’t know what a minor second is, don’t fret. A Minor Second interval is just a semi-tone, in other words, it’s one fret up or down from the original note.
For instance, the distance between the 2nd fret B on the A-string and the C on the 3rd fret of the A-string is a minor second.
Think of the notorious sound from the Jaws movie where the giant shark is swimming up close to the boat. That’s a minor second.
Anyway, the Harmonic Minor Scale is laid out for you in the image shown below:
Similar to the Major Scale, there are 7 different modes of the Harmonic Minor Scale, so depending on the tonal center of the scale, in other words, the note by which the rest of the scale revolves around, it creates a different sound.
The Modes and Chords of the Harmonic Minor Scale are the following:
A Harmonic Minor Scale – Aminmaj7
Locrian ♮ 6 – Bm7b5
Ionian #5 – Cmaj7#5
Dorian #4 – Dmin7
Phyrgian ♮ 3 (Phyrgian Dominant) – E7
Lydian #2 – Fmaj7
Altered ?7 – G#dim7º
Thankfully, each one of these scales is named relative to the regular modes of the Major Scale, so if you’re already familiar with the Mode shapes of the Major Scale, you’ll have a good idea of how to play the aforementioned Harmonic Minor modes.
For instance, the Locrian ♮ 6 is just what it sounds like. It’s the Locrian mode shape with a natural sixth degree.
The Locrian Mode looks like this on the guitar:
B Locrian, from key of C Major
So the Locrian ♮ 6th is just the Locrian mode shape with the sixth degree raised by a semi-tone.
This is what the Locrian ♮ 6th looks like:
So now that you have an idea of what the modes are the Harmonic Minor scale, we’re ready to explore the fifth mode of the scale, which brings us to the Phyrgian Dominant, also known as the Phyrgian ♮ 3.
2) Phyrgian Dominant (Phyrgian ♮ 3)
As I mentioned above, the Phyrgian Dominant is the fifth mode of the Harmonic Minor Scale.
This is easily the most used mode of the Harmonic Minor Scale, and it’s all over many different genres, including Flamenco style, or Spanish-sounding music, metal, etc.
The Phyrgian Dominant looks like what you can see in the image shown below:
In terms of what this scale sounds like, people like to say that it sounds a lot like Phrygian but a lot more evil, but it depends on how you go about using it.
It can sound dark and flavorful, however, it can also sound kind of mystical and cool.
3) Phyrgian Mode
The Phyrgian mode, similar to the Phyrgian Dominant, is just a mode of another scale. It’s the third mode of the Major Scale.
In other words, it’s the notes of a regular old Major Scale but starting on the third degree of the scale.
So, if you think of the C Major Scale, which are all the white keys of a piano starting from C and ending on C, the E Phyrgian Mode are the same notes but just starting on E and ending on E.
With that said, and I’ll always make sure to say this, the aforementioned structure and pattern doesn’t necessarily make it a mode. In order to utilize its tonal qualities as a mode, the musical context and the tonal center of the mode have to be used.
Explained in a much simpler fashion, a mode is a musical context in which notes are played.
For example, If you wanted an E Phyrgian sound, you would play the notes of the C Major Scale over the third chord of the C Major Scale, E Minor. This would create the E Phyrgian Mode.
Most guitar players and musicians have used modes many times before without even knowing it. It’s not just a scale starting from a different note, it’s a musical backdrop, background, or musical context, whatever you want to call it.
This is actually what a mode is.
Regardless, the Phyrgian Mode Shape looks like what the image shows below:
As you can see, it kind of looks like the Natural Minor scale, but it’s a bit different. The Phyrgian Mode is dark but in a less depressing way than the Natural Minor.
Important Things To Understand About Scales and Modes
In case you haven’t figured it out yet, the vast majority of scales out there are based on one foundational scale, but the order of the notes are switched around, which creates an entirely different sound and quality.
It’s really quite amazing that all you have to do is change the order of the notes to produce an entirely different sound.
And in my opinion, it makes things a lot less confusing, because once you memorize just three different scales, you basically have an idea of how to construct around 18 other scales from just three.
If you really want to put this knowledge to work, the best scales to learn are the following: the Major Scale, the Harmonic Minor Scale, and the Melodic Minor Scale.
The Major scale includes, within it, the Natural Minor scale, which is also called the Aeolian Mode, and then the Harmonic and Melodic Minor include six modes each that are the most commonly used scales in music today.
How Flamenco Guitarists Use Harmonic Minor, Phyrgian, And Phyrgian Dominant
With all that said, just playing the aforementioned scales and modes isn’t enough to get the flamenco-style sound that you’re looking for.
If you really want to channel the flamenco flavor, you’re best to practice the following tips.
How To Sound More Flamenco
1) Use A Nylon String Acoustic Guitar
If you’re reading this article, chances are that you’re wondering how to go about playing Flamenco guitar, which means you’re more than aware of what it sounds like to your ears.
Without a doubt, the Flamenco style is played on the Nylon String Acoustic Guitar, and that’s how you’re going to get that characteristic sound.
Sure, you can use the aforementioned scales and make it sound fantastic, but if you really want the sound, character, and timbre of flamenco, it’s best to use a nylon string.
2) Use Fingerstyle
Furthermore, most flamenco guitarists play with their fingers, rather than with a pick. Like what I mentioned above, you don’t have to follow these tips, but it’s going to bring you much closer to the traditional flamenco style and sound.
You could always take it another step further and grow your nails out on your picking hand, that way you can pluck the strings a lot easier.
YouTube Video Tutorial
All-in-all, I hope this was helpful to you. To be frank, I’m not a flamenco style guitarist, but I’m aware of what it sounds like and what some of the theory is behind the music, at least the harmonic theory, anyway.
If you want to hear flamenco-style playing, go to YouTube and look up Paco De Lucia. He’s arguably the most famous flamenco guitarist of all time, and his playing is tremendous, definitely one of the greatest players to ever live.